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Paris Haute Couture Fashion Week Spring 2022 has passed and what a dazzling season it has been. It’s been the most personal shows since then. Pandemic started. The designers definitely made up for lost time by focusing on the fantasy of fashion.
Daniel Roseberry was the first to return to the podium with a multitude of eye-catching and visually stunning creations. Reinforcing the fact that Roseberry is one of the most exciting fashionistas today. Meanwhile Christian Dior, Maria Grazia Chiuri’s collection evoked a sense of simplicity and pure elegance. Models put on dreamy looks around a set adorned with works by Indian artists Madhvi and Manu Parekh.
Charlotte Casiraghi Chanel opened her show on horseback galloping around Xavier Veilhan’s set. The collection was purely feminine, with models featuring soft lace and tweed creations embellished with bows, ruffles and feathers. Alexandre Vauthier once again brought brilliance and glamor. But this time with softer silhouettes. At Valentino, guests climbed the stairs in Place Vendôme to witness Pierpaolo Piccioli’s tribute to bold colors and classic designs.
Read on to discover Glenn Martens’ sweeping, waist-hugging Jean Paul Gaultier Spring 2022 Haute Couture collection. Not to mention Kim Jones’ third haute couture outing for Fendi. All courtesy of our unfiltered forum members.
Pictures: Imaxtree
KIT: Schiaparelli
“Somehow, this is exactly what I expected to see and feels creative and original. It’s beautiful. Almost any look is a glamorous showpiece.” [KINGofVERSAILLES]
“A feast for the eyes and perfectly applied…” [WAVES]
“It’s a pretty gorgeous collection full of exciting, eye-catching elements, and each look screams to be worn by someone who wants an iconic or trendy red carpet moment. Drama and pure fashion. What more could we ask for from a Schiaparelli couture collection?” [vogue28]
Female: Chanel
“The perfect definition of an uneventful production.” [GERGIN]
“No soul at all, just plain clothes. I don’t understand the equestrian theme either. It wasn’t translated into clothes, I think, just another trick.” [thiago:)]
“There are so many ugly elements and strange combinations that I wonder what’s going on in Virginie Viard’s head. It’s certainly not good or enjoyable, but I’m still curious. Someone replace her please.” [WAVES]
BATTLE: Viktor and Rolf
“I love their sense of humor, it reminds me of their first show.” [CholoChic]
“I’m happy they’ve taken a turn in the early 2000s, the kind of direction that has rightly placed them among the most promising designers. Their best collections have been built around ‘great fashion classics’ by cleverly twisting them, but never quite at the cost of elegance or wearability. . This presents it nicely without adding any tacky tricks.” [tricotineacetat]
Female: Christian Dior
“I have more couture in my sock drawer.” [Vitamine W]
“It took more than a decade for John Galliano to get on autopilot at Dior and even then he was still creative. Maria Grazia Chiuri was maybe six years at Dior and easily switched to autopilot two years ago. There really is no effort in that.” [TianCouture]
“For a house built on the principles of optimism, this collection, besides Maria Grazia Chiuri’s 99 percent tenure, is extremely upsetting. The perfect definition of this collection is that it exists.” [LadyJunon]
BATTLE: Jean Paul Gaultier
“I love the dark, sensual, romantic vibe in the collection. The final dress is stunning.” [THD96]
“There are beautiful pieces and interesting ideas all over the place, especially the emerald green dress with a high neckline and the final coral corset dress to die for.” [JohannesL]
“I have to admit, I’m glad that Glenn Martens’ Gaultier’s work is still dealing with the bourgeois element in the evening. There are a handful of gorgeous looks. I adore fully laced corset gowns. It’s beautiful.” [dior_couture1245]
Female: Valentino
“What a messy mess! Please no more frilly capes!” [TianCouture]
“What a lousy show. It’s so lacking in direction that the slightest bit of excitement evaporates. Nothing makes sense. That’s the state of fashion.” [WAVES]
“A directionless and stale collection with ordinary taffeta dresses.” [JohannesL]
BATTLE: Alexandre Vauthier
“Excellent collection, I’ve always loved his haute couture shows.” [gossping]
“There’s an energy, a dynamism in Alexandra Vauthier that I really like. It’s fun, sexy and understated.” [Lola701]
“Silver sequins and black sequin dresses fall on chain postage stamps simply and forever gorgeous. I’ll even buy power suits.” [Phuel]
Female: Fendi
“Waaaay, it’s too tough and slippery for Fendi. The brand used to have a touch of soft humor, but now it’s gone. I wouldn’t be crazy if it was Givenchy. The weird fabric choices, the inappropriate tailoring and the overdone Roman theme are frozen in place. It doesn’t help either.” [RaisinBoy]
“I can’t stand how bad everything looks. It’s debatable whether something is sticky, tasteful, or beautiful, but good tailoring (which is the bare minimum in fashion) is not up for debate.” [avonlea002]
“This seems so banal. Kim Jones has nothing to say in womenswear. I don’t see any particular point of view or aesthetic.” [Lola701]
KIT: Ronald van der Kemp
“Smart, creative, surreal dresses that go from print to 3D come to life on the wearer. Simply beautiful. There is an individuality, character and spirit in designs that honor the traditions of haute couture with such freshness.” [Phuel]
“Excellent as ever, some of them truly magical. It would actually be great on Schiaparelli.” [Vitamine W]
Miss: Azzaro
“It’s really bleak. To be honest, I thought Olivier Theyskens’ first two couture collections for the home were pretty cool, stylish, and eye-catching – a nice blend of his aesthetics and home. And although it made me grow a little bit last season, this one is really weak and sad.” looking.” [dior_couture1245]
“Those laminated jersey turtlenecks and all-over sequin suits look like really cheap carnival costumes…” [tricotineacetat]
“This is terrible.” [Lola701]
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